RSS

Tag Archives: metaphysical

Devo Magix: Vision Questing

Alternate title: How to Crack Out

Disclaimer: I have no clue if vision questing is the right term to use. I’m not taking this term from any other culture- it’s something I came up with to try and describe what I do when I literally go out looking for visions. If there is a better term for this sort of thing, please let me know so I can use what is considered “standard” terminology.

As I’m sure many of my readers have heard by now – I have a proverbial IV of crack flowing in my veins. I’ve received visions and weird ass images in my brain for many many years now. Sometimes, these visions just come to me. However, over the years I have learned a thing or two about chasing visions down. I wanted to discuss some methods about how I track down visions, which I lovingly refer to as crack. While I initially used these methods to obtain visions, it is possible to use these methods to access the astral, the gods, or a host of other things. So be aware that it can be a mixed bag of what you could get when you dip your toes into the crack filled lake that is the UnSeen.

Please be advised that these methods will not be suitable for everyone. Please use your discretion when trying these methods and I am not responsible if you hurt yourself from using my ideas.

When I started seeking visions, I found that I needed the right mixture of tired and awake to get anywhere. If you’re too exhausted, you’ll fall asleep. If you’re too awake, you’ll likely be too excited or alert to actually get anywhere. In my experience, you need to be passively alert to get the best results.

But Devo, how on earth do I do that? That doesn’t sound possible.

Believe it or not, you’ve likely hit this place of passive alertness before and not even realized it. Ever found yourself daydreaming while staring at the wall? That’s a good example of it. How about having a cat nap- where you’re not really asleep, but not really awake? That’s another good example. Often times we hit this state without even realizing it. And that’s part of the trick- realizing you’re in this state without breaking the state. When I first started, I’d often get into a good rhythm, and then go “oh my god! I’m actually doing it!” and promptly lose it because I became too alert and broke the trance I was in. Learning how to get there and stay conscious enough to remember what you see is key.

With the methods listed below, I recommend that you start by letting your brain wander. Just let it go wander off somewhere. The more still you can make your brain, the easier it’ll be for you to retrieve things. However, if you sit there the whole time telling yourself “I must relax. I must relax,” you’ll end up being too tense to actually, you know… relax. So let your mind go where it wants to. The more you practice, the easier it’ll be to let your mind roam. The better your mind is at roaming, the more likely it is to return with a nice batch of crack for you to look at. You can also try asking a deity for assistance when doing this, if that’s your thing.

So, what are some common methods I use to get into this state?

Driving.
Yes, seriously. Driving. This isn’t recommended for everyone, but I find that driving at 70 miles an hour is very zen like and relaxing. I’m just focusing on the road and my brain sorta goes into auto-pilot. I’m alert enough because I’m making sure I’m not going to kill anyone. However, I’m relaxed because the vibrations of the car and the pattern of the dotted line on the road just relax me somehow. Some of my first visions came from this method and I wasn’t even trying to get them.

Puzzles, Coloring/Painting/Drawing, Cleaning/Doing Chores.
Once again, all of these are things that keep me slightly mentally active- but are mind numbing enough that I can sometimes hear or see things.

Hiking or Going For a Walk.
Many times when I go for walks in quiet places, I will find that my mind starts to wander- and gets lost out in crack-ville. Certain locations and times of the year work better than others. I find that being comfortable while I walk is important if I want to get anywhere. If it’s too sunny, cold, hot, etc. it won’t work.

Listening to Music.
Sometimes, I can listen to music and get caught up in the sound and the movement of the music that I retrieve images or visions. Different types of music will give me different results. Quiet, lulling music will likely make me fall asleep. Active music tends to give me more successful results.

Sex.
Seriously. Yes. After the fact, I am usually quite relaxed and can sometimes get into a semi-lucid state where I can see stuff.

Dancing.
For those who have talked to me about vision questing- this is more or less my “signature method.” Dancing is by far the best method I have found to obtain visions. However, this method is the most physically taxing – to the point that there was a 2 year period where I couldn’t do it because it was too demanding on my body. Generally, my process in regards to dancing is fairly simple: I dance until I can’t dance anymore. Once I can’t dance anymore, I will lay down and wait to see if things come to me. If they do- great. If not, I will attempt to get up and dance some more, basically repeating the process until something comes to me. If I’m really trying to push myself, I will combine the dancing and sexing bits to try and push my limits further. I find that dancing in a dark room works best- as my eyes will have little to focus on, and I’ll be forced to focus on the music and movement. I also find that having my music super loud helps to drown out any mental noise that could distract me (I also have a habit of cranking up my music when driving for the same reasons).

I tried these and it’s not working? What now?

There are a few things I can say when the methods above don’t work:

  • These aren’t the methods for you- try to find something that works best for you. Active meditation/cracking isn’t for everyone.
  • Keep trying- it can take multiple attempts (and years for some) to get good at it. Not every attempt will bear fruit. There have been times where I have danced for over an hour and not successfully received anything.
  • Perhaps this isn’t your skill set. Not everyone is hardwired to receive visions or crack out. There is nothing wrong with this. Where you should draw the line for ‘having tried enough and this isn’t for me’ vs. ‘need to keep trying to develop the skill’ will be different for everyone.

I tried some of the methods above and I think I accidentally stumbled onto the astral. What do I do?

Technically, we all access the astral to some extent every day. We dream in the astral. If you talk to gods, you likely do that astrally to an extent. Some argue that we live in one of the layers of the astral. When it comes to things of this nature, I’ve found that visions usually come of one of two varieties (or a combination of both):

  • Images that you can’t control- like watching a movie. No amount of will on your part will allow you to influence what you’re seeing. These are visions.
  • Images that you can control or interact with- just like in your waking life. For this particular tutorial, we will call this accessing the astral.

Sometimes, an experience will start as the first- a movie you’re watching, and will end up as the second- a world or situation you can manipulate or influence.

So what happens when you end up in the second category? That largely depends on what type of situation you find yourself in. Before you being seeking visions, I recommend that you read up on what types of things you could potentially come in contact with- as it is possible to attempt to get the first selection above, but accidentally get stuck with the second (see useful links at the bottom).

If you do happen to stumble into a situation that is more than just watching a movie- your first step is to assess what exactly is going on. Are you around people you know (such as deities) or not? Do they appear friendly? Do they even realize you’re there? If you find that you are not being noticed, or that you can simply observe without conflict- do exactly that. Watch what is going on and stay quiet until you can leave or are excused. However, it is possible to blip onto the astral into a dangerous situation.

If you find yourself in a dangerous situation you have a few options:

You can cut bait and leave right then and there. Pull yourself out of the meditation/trance/etc. Ground yourself. Possibly cleanse and ward yourself up for safety (I usually do this by eating something and taking a shower). The downside to this is that you could potentially leave a part of you in that area of the astral that may or may not have it’s ass handed to it now and/or stolen (this is not common, but can happen).

Or you can fight. Fighting ability will depend highly on the realm you are in. In many cases, the sky is the limit. Anything you can think up- you can do. Don’t be scared to push the limits of logic to come up with a means to kick butt. In many cases, you can create and manifest weaponry and magix out of thin air to get the job done. With any luck, the person/entity picking on you will realize you are not worth their time and leave. At which point you can come out of the vision/trance that you are in and follow up with grounding and cleansing as mentioned above, if you feel you need it.

If you stumble into the astral once, be aware that it can happen again. If you manage to get there once, I would recommend learning more about protective measures on the astral before attempting to crack out again- just in case.

On the by and large, vision questing can be a very interesting and useful practice. It’s a good means to get insight to situations, ideas for stories or art projects, and its a good way to communicate with the gods/spirits around us. Even before I began interacting with the astral, I loved to look for visions- just for the aesthetics alone. If you do try any of the methods above, let me know how they work for you!

Good luck cracking out!

This post has been edited from its original form. I made an error in using the acronym ADD as an adjective, which is offensive to anyone who is diagnosed with or has ADD. I apologize for this oversight and have changed the verbiage above to remove the offensive sentence/wording.

Relevant Links:

 
6 Comments

Posted by on February 13, 2013 in Astral, Devo Magix Series

 

Tags: , , , , , , , , , , ,

Formal Execration: The Learning Curve

While trying to decipher the meaning of a vision that I received while working with O, it was suggested that perhaps I do an execration. I considered this, and sat down with Set to get his thoughts on it, and he agreed it would be a good idea. For whatever reason, I decided I would try a formal execration. I chose the first execration rite listed in Eternal Egypt. This is my first time of doing an execration from a book, and I wanted to document some of it for others to see and consider.

The purpose of this execration was to “clear the board” (Set’s words). He had told me that I had enemies I could see, and enemies I couldn’t see. Things I was considering, and things that I wasn’t considering. So I chose the first rite in an attempt to keep the ‘enemies’ specific (for the ones I could list), but yet still cast a wide enough net to knock out things that I couldn’t see or consider in my current position.

Execration Altar Setup

Execration Altar Setup

So let’s go over what is needed for a formal execration. Reidy has the following “ingredients” for an execration:

  • Candle or oil lamp
  • An image of the serpent-enemy made of beeswax
  • New sheet of papyrus with enemies names listed in green ink
  • Copper brazier or pan
  • Herbs to replace bryony
  • Iron knife or nail
  • Black thread
  • Blade of flint
  • Red clay pot, sand, and a lid or means to seal the pot

Because of limitations, I made a few changes to the above ingredients list. I used regular paper, instead of papyrus. My beeswax image was made from a candle. Instead of a copper pan, I used a brass bowl. And for herbs, I used a lemon. Reidy states in his book that bryony would have been acidic, and I felt that a lemon would be one of the most acidic things I could find. Instead of an iron knife, I used Set’s knife (stainless steel). I chose to use his knife because he is part of the reason I’m doing this at all. And, his connotations of smiting a/pep daily anyways. For my red pot, I chose an old pill bottle that I had. I cleaned it and painted it red.

Once I had all of my stuff together, I set it up all nicely in one spot so that I could do all of my work in one area and not have to leave to go get stuff. The execration was going along alright. Nothing major or exciting, though it was odd to actually speak words during my rite (I am a silent ritualist, usually). And everyting was pretty ho hum until I set stuff on fire.

 

Yes. Set stuff on fire. And holy crap. Did it burn. It burned for a long long time. In fact, I had to bring in a pot lid to smother the flames so that it would stop burning. It got so hot that the wax started to sizzle in the base of the pot. It was seriously like standing in front of the stove while cooking.

Damn.

That’s crazy.

And after it was done, it looked a lot like this:

Execration Remains

And it was at least 20 minutes before the brass was cool enough to touch.

Afterwards, I took the remains and poured them into my bottle. I added the lemon juice (as well as the lemon as a whole) and poured sand on top. I then took my red candle and melted hot wax over the lid and let it drip down (It didn’t quite pan out as I had hoped it would, but ohwell). Since I didn’t have the means to bury it somewhere, I placed it in a dumpster on the other side of my apartment complex where it will eventually be taken to the landfill and ‘buried’ there.

execration bottle

Now it’s time for the learning curve!

As mentioned in the title, there is a bit of a learning curve to this whole ‘formal execration’ thing. It’s really easy to take a piece of paper, write on it, scream at it, tear it up, burn it and pitch it (and call it good). But when you get into the more formal style of things, there are a lot more problems that can crop up during the ritual. There are also more considerations that need to be made while doing the formal style, and I wanted to go over some of my findings, pitfalls, and areas of suggestion so that your formal execration can go smoother.

  • Make sure your execration pot (the thing you burn stuff in) is sturdy. You saw how hot my stuff got. If I had gone with a lesser bowl, its entirely possible that I could have run into serious problems. The bowl could have broken (or shattered) and I would have had hot molten wax all over my table, my person, and possibly my hands as well. Be considerate of the materials you’re using. Make sure that your execration brazier/pot can really withstand high heat.
  • Be considerate of your surroundings. In conjunction with above- make sure you’re performing your execration in a place that can handle high heat. Despite using a brass bowl, I ended up with a black circle on my silverware box. I also ended up with tons of tiny wax droplets all over my box, table, and person. Make sure that you do your rites in an area that can handle high heat, messes, and potentially escaping fire or wax.
  • Be considerate of your clay pot. My jar was extremely hot after placing that wax in there. I wanted to drip the wax down the side of my jar, so that it would actually seal the jar up. However, the wax was still so hot inside, I couldn’t pick up the jar for fear of breaking the glass, or burning my hands. Be sure that wherever you’re filling the jar at can also handle high heat, or potential jar breakage.
  • Don’t make a huge a/pep effigy. My a/pep was made out of a large taper candle. That was dumb. It should have been a lot smaller. I think a lot of my fire issues stemmed from the sheer volume of wax that was in the pot. Be considerate of the size of your burning pot, and the size of the problems you are execrating when you create your a/pep figure. Next time, I think I will make something smaller in size.
  • If you’re going to have a large a/pep figure, make sure you burn your paper before adding the wax. There was so much wax in my bowl, the paper never entirely burned. If I had burned the paper first, that wouldn’t have been a huge problem.
  • Have water, oven mitts, perhaps a large pot lid (for snuffing out fire), and something like sand or baking soda on hand. This is in case fire spreads.
  • Make sure your knives are sharp and can handle some pressure. I had a lot of problem with my knife not wanting to cut this massive wax figure. I ended up doing divots in the wax, and snapping the snake apart… which was quite gratifying. But at least be aware that it can be an issue.

All in all, I’m glad I tried a formal execration out. I think that each format of execration is useful, and really serves different purposes all in all. I love basic execrations where all I’m doing is focusing on smashing the crap out of something. I don’t need to worry about words or structure, it’s all about the emotional release. However, the formal style is pretty cool too, because you seriously feel like you’re beating something much larger up. Especially when the wax started to really go off- I was like “Damn, this is crazy. What the hell did I just unleash?” The styles and feelings are different, and that each format is better for certain situations over others.

It is my opinion that Formal Execrations are good for large scale, long term goals. For example, let’s take losing weight. You’d start with a Formal Execration to get you started. And then you’d do lots of smaller execrations along the way to keep you going. The best way to find out which is best for you is to try one of each version and compare and contrast their results.

I urge you to try a formal execration and see how it feels!

Other posts on Execration:

 
16 Comments

Posted by on December 6, 2012 in Devo Magix Series, Kemeticism

 

Tags: , , , , , , , , , , , , , , , , ,

Devo Magix: Warding Through Movement


Above is a video tutorial that I put together for the creation of basic barriers through movement and gesture. I wanted to create a text version of this as well, for those who can’t see or hear the video above.

The creation of a barrier using gestures is very simple. In order to give this a try, you’ll need the following:

  • Yourself
  • A small space at the center of the area you’re creating the barrier for that you can move around in
  • Incense (optional)

Here is the basic walk through of how you create the barrier:

  1. Go to the center of your space with your lit incense.
  2. Calm your mind, still your energy (aka stand there for a few seconds and acclimate to the space).
  3. Pick your starting point for your barrier (I use the front door)
  4. You will pool the energy in your hands. I do this through a series of circular and waving hand movements.
  5. Once you have the energy gathered, you will point your hand out towards where you want your barrier to start. The pointing direction essentially directs the energy to the base of your barrier.
  6. In a swift movement, once you’ve pointed out where you’d like the energy to start, lift your arm up to direct the energy upwards. This is to create a pillar or ribbon of energy for you to pull from.
  7. Take your hands and “roll the energy out”, as though you were rolling dough. I do this with long broad strokes in a circular shape around my person.
  8. Once you hit the 180 degree mark for your first “energy pillar”, you will create another one. (this happens to coincide with my back door)
  9. Take the energy that you’ve “rolled out” in btwn these two pillars, and lift the energy over your head. I do this with a motion of bringing my hands over my head.
  10. Move to the second “energy pillar” you’ve created and continue to roll the energy out to where you started. You will then bring this energy up over your head in the same fashion as before.
  11. At this point, you more or less have two half circles of energy above you.
  12. With swift, encompassing and circular movements, I bring these energy halves around upon themselves. This step is to remove and holes, seams or cracks and to ensure that the energy is working as one unified force.
  13. Be sure to bring the energy below you as well as above.
  14. Finish off your movements by ensuring the energy is the shape and solidity that you want. I like to finish off my barrier making by dropping some ashes from the incense on the ground.

The movements are highly personal. You can create barriers of any shape, color, or thickness. You could also do this same series of movements multiple times to create layers of barriers if you wanted. Don’t be afraid to experiment with motions, music or other forms of energy directors (wands, water, knives, etc).

 
4 Comments

Posted by on November 23, 2012 in Devo Magix Series

 

Tags: , , , , , , , , , , , ,

Devo Magix: Know Your Basics

This is an argument in favor of making up your own stuff.

When you surf around on the Internet, there are a lot of questions about spells. There are also a lot of prefab spells out there as well. And for a large portion of the pagan/witchy community, there are a lot of people who use pre-made spells as the bread and butter of their practice.

I think that this is okay for the beginner (possibly), but that at some point or another, you have to really break free from prefab stuff. At some point or another, you need to look at prefab spells, or any magix work you’ve done, and really figure out what is going on, what is making the magix tick.

Let me use an example.

Let’s say that learning magix is like learning a new language (which, it sorta is). There are many ways to learn a new language, and one of the most popular methods is the phrase book. You know- the books that are nothing more than “Hi, my name is ___.” “How are you?” “May I please have that?” “Where is the bathroom?” It has lots of phrases that you can memorize- but it doesn’t discuss grammar, tense, or any of the parts of the creation of the sentence.

So let’s say you use this book to learn these phrases- what is going to happen when you interact with your first local? Yes, you might get past the “Hello my name is”, but what if they say something that wasn’t in your phrase book?

You’re going to bomb.

And that’s how it goes with magix. You only use pre-made spells, you only learn magix via a “phrasebook”, and that works for a while… But what happens the one time that something goes wrong (let’s say you have some weird hobgoblins knocking on your door). What then? If you’re just using a magical “phrasebook”- how will you know what words, spices, etc. to put in where to create what you need? And what if your “phrasebook” is unavailable? How will you keep yourself protected?

Or what happens if you’ve got a prefab spell that you wish to use. Let’s say it involves a river, and a strict timeline, and you go to the one place you can think of with a river- except the road is closed, barring your path.

What now?

You can’t get to the river. Time is running out, and your phrasebook doesn’t give you any other options for when the road to the river is closed. What do you do?

And this, my friends, is why we need to know our building blocks.

In order to really be successful with magix, we need to try and move beyond the basics of prefab cookbook styled spell workings. We need to be unafraid and jump into the hot mess that is magix and not be concerned with our hands getting dirty. This is why we should try new things, write stuff down, experiment, fail, succeed. Because only through trial and error will you really figure out what works for you. Only through working with each magical concept and ingredient will you really understand how the spells come together to create the magix. This is also why you will not see many (if any) pre-fab magix on here- because I believe in giving you the building blocks, so that you can make your own awesome magix.

Because only by knowing your building blocks would you being to decide that if the road to the river is closed, you find another source of moving water, such as a large fountain.

Only by knowing your building blocks will your magix become unstoppable.

 
6 Comments

Posted by on November 9, 2012 in Devo Magix Series, Rambles

 

Tags: , , , , , , , , , , , , , ,

Devo Magix: Barriers, Shields and Warding; Part 1

During my time in Kemetic groups and forums, I’ve realized that very little is ever shared or discussed about basic ‘magix’. No one really talks about cleansing items or your house. Making amulets or sigils are almost never discussed. And there has never been discussion about warding or barrier creation. I personally think this is a shame, as you never know when things could go wrong, or when you might need extra protection in a situation.

To help with this, I have decided that I will create a series of blog posts relating to these exact things. I want to discuss my methods and means to cleanse, create and protect in a more ‘magical’ sense. My methods are by NO MEANS the only methods. They just happen to be what works for me.

If you enjoy this series, or want me to discuss different aspects or topics of a similar nature, please feel free to post your ideas in the comments section. If there is anything that you would like clarification on, don’t be afraid to ask as many questions as you need/would like 🙂
This week, I would like to talk about warding and protection. I saved this topic for last because to become really good at warding, you will likely need to utilize a lot of the other concepts that I’ve discussed prior to this point. Barriers are very free flowing and creative in nature, and there are many things you can use to enhance your warding skills or the strength of your wards. I highly recommend that you learn to layer your wards and that you experiment with different creation methods and techniques so that you can find a style that works best for you.

(as a side note, I will be using the words wards, barriers and shields interchangeably).

Protective magix of this type come in three styles, in my opinion. Those styles are:

  • Warding yourself- just your person
  • Warding a location- your house, a room.
  • Warding an item (or another person)- pick an item, any item.

Each of these styles requires a different approach to the warding process. For example, you will need more energy to create a ward the size of a person than a ward for a small statue; and you will need more energy to ward a house than a room or a single person. Determining what types of needs you have first will help save your trouble later!

So what can I use to create a barrier?

Much like with cleansings, there are ‘ingredients’ you can use to create wards. Here are some basic ideas of what you can use to create wards:

  • Energy around you (such as from the earth, stones, rocks, etc)
  • Energy from within yourself
  • Charged items (such as amulets, sigils and witches bottles)
  • Energy donated from other parties (such as deities, fae, other people, etc)

For the ward to hold up the best, I recommend a mixture of these things.

Determining which of these things you need is a bit tricky. Like with almost everything I do, I feel that knowing what you’re going to be warding is the first step. If you are only protecting yourself, you won’t be able to have a whole lot of charged items on you- so you might need to rely more on your own energy. Conversely, due to the size of a house, perhaps it is best to use some items to help strengthen your wards, as opposed to relying solely on your own energy.

So let’s break down the most common forms of shielding, and discuss the steps I use to create a ward for that particular situation.

Warding yourself (and only yourself):

This is one of the easiest places to start, in my opinion. Because it is only yourself, it is easy to feel the energies and practice without a lot of notice. I also recommend with starting with shielding yourself because it is one of the best ways to protect yourself in any situation. Once you get good enough at creating barriers and shields, you should be able to set up a barrier around yourself in a matter of seconds- in any situation. Mind you, these things take time to build up- but because the capacity for that level of protection is there, this style of warding shouldn’t be overlooked.

Often times, I use a mixture of my own energy and the energy around me for protection. If I’m feeling lazy, I also like to add the benefit of having an amulet on my person to create an extra layer of protection. Whether I need a ton of layers or not really does depend on where I’m going. For an average day, I don’t need a whole lot. If I’m going to be mixing with a bunch of people in a small space, I will probably do all three.

The amulet is a gimme. You can read about amulet creation here.

For pulling my own energy for protection, I will visualize liquid or color pouring out of my person and forming an oval or sphere around myself. Many times, I will have the energy spawn from my wrists and wrap around myself. For pulling energy from the area around me, I visualize the source coming from the floor- usually in a circle around my feet. This energy then makes it’s way up over my head to form a sphere around my person.

Unfortunately, this is difficult to explain- my best advice is to work with it yourself and through practice, it should make more sense or become easier. This is one of those situations where you often have to ‘do’ to get it.

Warding a room or location:

If you have the ability, you should try to cleanse your area first- pushing all of the negativity out, and bringing good stuff in. Barriers don’t do a whole lot of good if you’ve got negativity inside- it just traps it in there with you. You can see my cleansing post for ideas on that.

When warding a room or house for the first time, I always recommend using other items to assist you. I feel it helps the visualization process and helps you to learn where the edges of your barrier are, how they feel, etc. It also helps to clog up any holes. Here is a list of some items that I have used in the past for helping wards:

  • Tarot cards
  • rocks/stones
  • statuary (particularly relating to gods)
  • jewelry
  • oils (you would place a dab on the walls and/or windows)
  • paintings/pictures
  • pre-charged amulets and talismans
  • sigils
  • salt/sand

Much like with cleansings, you can use multiple layers of items if you want. When setting up items, I like to use crosshairs in my rooms- one item on each wall. If you wanted more protection, you could use more items, perhaps doing two cross hairs in a room. Here is an example of a few ways you could set up items in your house for various levels of protection:

As you can see, by the end- things are a little crazy looking. However, if you wanted to get that complex- you can. Creating little spheres of protection for each room, and then leaving items outside to create an even larger area of protection for the whole house.

If I plan on using items to help my warding, I will charge and set them in their proper places before I begin the actual warding process. Here is a generalized step by step format of how I ward a house (a room is just a miniature version of this):

  1. Cleanse your area (if you have time).
  2. Select and set up any items you wish to help with the warding process.
  3. Start at the entrance to the room or house- ask any other entities (deities, etc) that you would like assistance from for their help before you begin.
  4. Move clockwise through the room you are in- touch or focus on each item you are using in the process. Mentally draw a line of energy in your mind connecting all of the walls together. (You can use something like incense or a flame to help draw the energy while you move around the room, if you need help visualizing).
  5. Once you have come full circle in the room- move to the center of the room.
  6. Focus on all of these items creating big sphere around the room you are in. Bring this energy up (along with your own person energy, the earth’s energy, etc) towards the roof (the shape is your choice- pyramid, sphere, square, whatever). You want to see all of this energy touch and become seamless.
  7. Once you have finished this room, you may move to the next room and follow the same process.
  8. If you are enclosing the whole house in a sphere, and not doing the room by room format, I recommend you go to the center of the house and continue with step 6- focusing on the energies in the area coming up over the house, enclosing it, embracing it- and protecting it.

Visuals to hopefully help:

Steps 1-3 for warding a room

Warding an Item:

First off- why would you want to ward an item? Well, there are a couple of reasons, the biggest being you don’t want that item’s joo-joo leaking out into your space. Say someone who doesn’t like you gives you something that has some sort of nasty ickiness in it- and you can’t properly cleanse the item for a couple of days. While you wait for the time to cleanse said item, you could easily ward it up into a safe zone so that it can’t affect the nearby areas.

Warding an item isn’t too difficult. Once of the easiest ways to ward an item is to place it on top of a sigil, or in a box lined with sigils. You can also place other items around it, if you need to, to keep it contained (much like how you would do with a room). I’ve also found that placing items in a black leather or black velvet bag is useful for trapping or containing energies inside. I also like to use black mirrors for this (placing it on top of a black mirror, or in a box lined with black mirrors). If you are good with energy manipulation, you could create a mini-energy sphere (or whatever shape) around the item to keep it locked up.

Or you could use multiple formats of these.

Taking it to the next level:

The best way to make your wards better is to practice. Learning how the energies feel and how they work for you BEFORE shit hits fan is a good thing. That way, when something major happens, you’ll be able to act accordingly. You won’t be scrambling to keep yourself safe.

The second best thing you can do is experiment. Try making your barriers into different shapes such as squares or pyramids. Try making them look like a golf ball. Experiment with color or texture (I know someone who makes theirs like cobweb. Another like water. Another like mirrors). The sky is the limit, and you can create as many layers of energy as you need to keep yourself safe (when I was at my worst, I was making 8 layered spheres- each with their own properties- and an inner sphere attached to me). You’ll never know what works best for you until you try!

Other posts in the ‘Magix’ Series:

 
34 Comments

Posted by on August 1, 2012 in Devo Magix Series

 

Tags: , , , , , , , , , ,