Tag Archives: devo magix

Calling the Four Winds

For years now I’ve wanted to try and create some sort of ritual that would call the rain to me. After reading a paper by Jorgensen, which discusses the ways in which mythology symbolism can be layered into ritual/heka, I finally reached a point where I felt like I could finally wrap my mind around what such a ritual would entail. This post is basically about said ritual.

If you’re not interested in any of the peripheral discussion around it, and only want the rubric, jump to the bottom of the post to find it.

Ritual Concept

I knew that I wanted to incorporate some sort of myth/story structure into this ritual, but I had never found anything that really felt correct for me. As luck would have it, I was reading about different NTRW around the same time I was working on this and found that there is a particular NTR, Anhur, whose name essentially means “Bringer of the Distant One.” If there is something that has been distant where I live, it’s rain. My entire state is under a “exceptional” drought right now, which means that even our native species of plants are starting to succumb to the lack of water. At the time of creating this ritual, we hadn’t had rain of any quantity above 0.1″ since April 2020.


And so when I saw that this particular deity brings back the distant one, I felt like this would be a great myth structure to use in creating a rain ritual. Further, Anhur has direct associations with the four winds, which I thought could be utilized to carry weather to wherever Anhur directs it. There is a tradition in my family that I felt would be useful for this endeavor: wind chime clappers. If you’re interested in seeing a bit more about it, I wrote about this once over here.

The Distant Goddess myth exists in many forms within Egyptian stories/literature, and so I could choose a whole host of different deities to invoke for it, but I aimed most of my attention at utilizing Menhyt as the goddess we are attracting. Her name has associations with green and greening, and I felt that she would be an ideal choice.

Ritual Experience

It just so happened that about the time I was thinking of creating this ritual, there was a storm front coming through. This was one of the only opportunities we’ve had for rain in months, and I didn’t want to miss my chance to be able to try this rubric out. When I first started working on this project, the chance of rain for 1″ was about 1%. By the time I performed the ritual, our chance had gone up to 10%.

In preparation for the ritual, I and my partner created clappers to hang on our wind chimes out of watercolor paper. I recommend a thicker paper for these, to allow them to have some amount of resilience against weather, but you could use whatever you have on hand. We chose to make five clappers because we have five chimes, but you could make as many or as few as you prefer (I think an ideal might be four – one for each wind direction.) There isn’t really a particular rule for creating these, I mostly just focus on attracting beneficial things to my area while painting them. I would say to let your gut/intuition guide you for this section, as I’m not particularly structured in how I create these.

I performed the ritual about a week before the weather was to officially arrive. I felt that it would make sense to do this a few days in advance to allow the weather to shift course, to build, etc. Compared to other rituals I’ve written, this one felt a little less clunky in my mouth. I feel like this ritual was written more in my way of speaking, and it felt less like I had taken chunks of various texts and cobbled them together into a rite. Perhaps it meant that was the direction I need to be going on for future rubrics?

After the ritual had been performed, I placed the chimes with their new clappers outside and waited to see what would happen. A few days later I had the urge to perform the rite a second time, and in this format I didn’t offer clappers, but shifted the verbiage to establish that the clappers (and therefore the wind’s voices) had been established by my hands (see more in ritual notes below). I didn’t originally intend on the ritual needing to be performed twice, but it felt right and so I went with it. After that, it was a lot of sitting on my hands waiting for the days to pass.

The rain here ended up being spread out across two-three days. The first day, we were gifted with a really bright and really close rainbow. I’ve yet to see anything this close to our house before.

In the evening we had very vivid clouds that traveled across the mountain range. They were often lit up by the setting sun into vibrant colors, and their forms reminded me of long snakes slinking over the mountains. It was interesting to be able to see how the wind would shift directions, carrying the clouds with it.

The next day we got a lot of rain. A large part of the state actually got a lot of snow. Throughout most of the afternoon, you couldn’t see very much for all of the clouds hanging across the mountain range. But when they finally broke for a short period in the evening, I could see that the entire rim of the Colorado plateau to the north of us was covered in snow. There were mountains that had more snow on them in that moment than I had seen in decades.

I remember thinking in that moment that I felt seen or heard. That it felt like someone had painted a beautiful picture for me. And while I know that there is no way to prove for a fact that doing this ritual caused any of this, its such a rarity for anything tied to religion to bring forth any such kinds of feelings within me that it was worth noting and writing down.

All in all, we had about .75″ of rain where I am at, which is a fair amount in a year like this. Up north, there were snowfalls ranging from 6″ to 20″, and there was a subsequent flash flood warning a few days later for the snow melt that would be rushing down to the valley floor. By the final day of rain, all of the clappers had been ripped off of their chimes, which signals to me that the heka has been used up, and I will need to create new ones to attract another storm. 

Below are my notes on how to modify this rubric for your needs, along with the rubric itself. If you end up using this rubric, let me know how your experience goes!

Rubric Notes

This rubric calls forth and names the four directional winds in the opening section. The names of the north and south wind have been named based off of what function they serve where I live, as such, you may wish to change what they are called before performing this ritual. The east and west winds could stay as they are, as they are named after the path of the sun — which is unchanging for all of us. However, you may wish to take note of what the north and south winds do in your location and name them accordingly.

Also, this rubric is currently made to be done when first offering the wind clappers that you will hang on your wind chimes. If you would like to perform this ritual again after the clappers have been hanged (as I did), you would change the verbiage in that section from “I provide you with a voice” to “I have provided you with a voice.”

I’ve noted the sections that can be changed with a *

Approaching the Altar

See me great gods. See me and hear me on this day as I step out into the sunlight.
I call to you great gods. Hear me with both of your ears. Turn your beneficent gaze my way.
Do not repulse me upon your path. Do not impede me for I am Equipped, and my seat is firm.
I am the lord of the four winds, and I have dominion over that which I desire.
*I call out to the north-wind, the bringer of winter storms.
I call out to the east-wind, where Re’s path is born.
I call out to the west-wind, where mother embraces me every night.
*I call out to the south-wind, which brings summer water, growth and life.
Oh you winds that respond to me, Oh you bulls of the sky, go forth and establish the four pillars of the sky. Truly the four pillars are established, and the firmament is made secure.
I set forth upon the path made for me to bring close to me what was once distant, for I am he who brings the distant one back.

Offering Light

I bring forward the radiant light of Horus. It’s brightness on the horizon fills your eyes.
I bring forward the radiant light of Horus. It’s brightness on the horizon fills your heart.
The eye of Horus calls out to you, take its light to yourself and be filled with it.
The eye of Horus calls out to you, take this light to yourself and be made whole by it.
Come to that eye which makes you whole. Come to that which calls to you.
Come to that eye which makes you sound. Come to that which calls to you.

Offering Incense

I bring you the fire to alight your incense. I bring you the fire to fashion what you enjoy.
I bring you the fire to alight your sweetness. I bring you the fire to fashion what you enjoy.
Incense approaches, like the north wind, who sails toward the nose of her brother.
Incense approaches, its sweetness permeates your nostrils, it fills your chapel with its perfume.
Come to this sweetness which you enjoy. Come to this sweetness which envelops you.
Come to this sweetness which you enjoy. Come to this sweetness which I have created for you.

Offering Water

I bring to you the primordial waters to sate your thirst. I bring to you what flows from you.
I bring to you the primordial waters to make you pure. I bring to you what flows from you.
Feel the coolness of the libation filling your cup. Feel the coolness upon your throat.
Feel the sweetness upon your lips. Feel the pure water upon your skin.
Come to these waters and take them to your countenance. I have poured them just for you.
Come to these waters and quench your thirst. I have brought you what you desire.

Offering Food

I bring you nourishment to fill your belly. Take this eye to yourself and fill your stomach.
I bring you nourishment to appease your heart. Take this eye to yourself and appease your heart.
I provide the offering of food in your presence. Take this eye to yourself, take this eye and be full.
I provide the offering of wholeness at your feet. Take this eye to yourself and be whole.
Come to this fullness that fills your stomach. Come to this sustenance that I have made for you.
Come to this fullness that fills your heart. Take to this fullness that I have provided with my hands.

Offering Ma’at

I bring to you your beloved sister. She who opens the nose of the living.
I bring to you your beloved ma’at, she who protects the two lands.
Ma’at comes to you, she rests at your feet and fills your heart, she is with you.
Ma’at comes to you, she resides within you at all times, she is with you.
Come to the sweet embrace of ma’at, allow her to rest upon your brow.
Come to the sweet embrace of ma’at, come to what you desire.

Offering Chimes/Clappers/Ritual Object

O venerable goddess, I call out to you, turn your beneficent gaze upon this place.
See these parched land, this dry ground. The land yearns for the embrace of ma’at
See how the earth contracts, how nothing will grow. The land yearns for the embrace of your touch.

I call to you, I reach out to you my twin, you who rides aloft the arms of Shu.
I provide you with that which sustains you. I provide you with that which calls to you.
Hear my calling to you. Know that I want you close to me.
I call to you, I reach out to you my twin, you who protects regeneration.
I know you and know what you desire. I provide you with that which calls to you.
Hear my calling to you. Feel the attraction that grows between us.

Come to me my twin, provide me with that which sustains me. Do not impede yourself, come to me.
Come to this place my twin, provide this place with that which sustains it. Do not impede yourself, come to this place.
O green and beneficent goddess, do not be far from me. Come to me in this place, provide us with that which sustains us.
O green and beneficent goddess, do not be distant from me, do not withdraw. Just as ma’at returns to her father, so too shall you return to these parched lands.
For I am he who returns the distant one, and you cannot ignore my call.

*I call out to the north wind, I provide you with a voice to spread the magnificence of your name and of ma’at throughout the land. [place clapper/chime on alter, or hang it above altar]
*I call out to the east wind, I provide you with a voice to spread the magnificence of your name and of ma’at throughout the land. [place clapper/chime on alter, or hang it above altar]
*I call out to the west wind, I provide you with a voice to spread the magnificence of your name and of ma’at throughout the land. [place clapper/chime on alter, or hang it above altar]
*I call out to the south wind, I provide you with a voice to spread the magnificence of your name and of ma’at throughout the land. [place clapper/chime on alter, or hang it above altar]
O you four winds, you bulls in the sky, use your voice which is filled with ma’at and bring to me what I desire.
O you four winds, you bulls in the sky, use your voice which is filled with ma’at and bring to me that which sustains this place.

Oh you great gods, see that I have set aright the north wind, the east wind, the west wind, the south wind.
Oh you great gods, see that all four winds are as they should be to bring ma’at into this place.
Oh great gods, see that she has returned, that goddess that was once distant from us.
Oh great gods, see the ma’at that shines brightly through the work of our hands.


O Great NTRW, your enemies withdraw from you.
Horus has turned himself to his Eye in its name of Reversion-of-Offerings.
These your divine offerings revert;
They revert to your servant for life, stability, health and joy.
So that you may flourish for eternity.


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How to Build a Heart: Creating a Base

If there’s one thing I can say about this entire process that I’ve gone through, it’s that you can’t and shouldn’t underestimate the power that physical items can have on the Unseen. I usually felt like a lot of physical items were there to mainly help myself visually make connections with what I was doing. But that ultimately, a lot of the power was coming entirely from me. However, as I’ve gone through the process of trying to heal Father-Lover, and upon failing that, pushing Father-Lover out of my life, I’ve found that items can definitely do a lot more than I had originally given them credit.

The more I looked through comparisons between what was going on astrally and the items that laid around my house that were connected to astral people, I found that moving items in the house could have an effect on what was going on Over There. So as I began to move forward with rebuilding myself, I knew that I needed to be particularly careful about what I did with the items that I was attaching to myself and to my purpose/goal. To treat the items carelessly could very well undo a lot of the work we were undertaking.

When I first decided that I was going to rebuild my heart, I was pretty excited. I thought the notion of being able to rebuild myself into whoever or whatever I wanted to be was pretty cool, and I looked forward to tailoring who I was into someone more like what I wanted to be. However, I found very fast that this is an incredibly daunting task, and once my health tanked a month after starting this project, I found myself bitterly hating even coming up with this thing.

The first thing that I did was work to establish my ib jar in some capacity. Since it still smelled of weird cherries, I decided that the scent was the first part I needed to work on. Smells are important in Kemeticism, after all. The fine scent of incense is what draws the gods close to us, and I felt that having a nice-smelling heart might help to attract my inner divinity back in.

So first I placed a bunch of coffee beans in the bottom. I was hopeful that they would help to neutralize any remaining cherry smell that was in the jar. I then ground up several flavors of incense and placed them in the bottom of the jar as my base. On top of that, I added some salt for purity purposes, and some of my MMJ tea to help keep myself calm on all levels. I let this steep for a week or so and eventually added another kind of tea that reminds me of my family and considered the scent portion good.

I also added a ma’at feather, to keep myself balanced, and I placed my Ptah pendant in the bottom. I felt that both of these items could help to keep myself more balanced, and to help drive myself to become better at handling my various moods and emotions.

But then I was stuck.

On the astral, we had run into hiccups with my healing. There were several reasons for this, most of which are irrelevant, but the main takeaway was that I should have either woken up and “resurfaced” into my body by this point. Or I should have been able to create an interior space for myself where I could begin to heal. I was still sitting in a black void, though, which meant something wasn’t quite right.

I was urged to embody myself in some capacity. Take a form (whatever I’d like!); create a space to call my own (it can look like whatever you want!); or make some sort of item that reminded me of myself (any shape! any size!). But in every attempt to do these things, I found that I couldn’t. The more I tried to figure out who or what I was “supposed” to be, the more upset I got. The notion of trying to create a space that was all to myself sent me into a panicked frenzy, and it got to a point that even bringing it up made my chest tighten. For someone who knows themself so well on the physical, I apparently don’t know much about myself on the astral. Trying to recreate myself after eons of being merged with someone else was causing me a lot of mental hell.

And I stayed in that hell until the middle of May.

I got so frustrated with my project that I had to put my ib jar away for a while. The simple act of looking at it would make me so upset that I couldn’t stand it. So I thought that some space would be helpful. I still couldn’t see anyone in the Unseen, either, and that was not helping. Usually when I get stuck, I go and talk with the gods or converse with one of my menz or contacts to see what they’d suggest on the matter. But I was still locked in the darkness with everything cut off from me. I would have to figure it out on my own somehow.

Some how.

I would love to tell you that I pushed myself until I really got a deep understanding of who I was or what I wanted to be, but that’s not really how everything went down. It happened very suddenly one day without a whole lot of explanation, when I was kicking around ideas about how to proceed with all of this. At first, I was telling myself that creating my own space wasn’t really that bad, and that I should look at it like being moved from a cubicle jungle to my own office. It’s really not that scary, and nothing says that I have to spend the rest of my time alone because I’ve made my own space (a huge fear I seemed to carry was that I’d be all alone). So think of it like a new office! I just need to figure out what I want my desk to look like.

I continued to kick this idea around until I could suddenly find myself standing in the darkness. Once there, I almost forced myself to envision what I thought my core might look like, and I fine tuned it until I could at least tolerate what I was looking at. And when I finished, I was pulled into that item into an interior space. It wasn’t much, but it was a start.

I also got very lucky while out shopping one day, in that I found a piece of jewelry that screamed “this is it” to me. And by this is it, I mean: this is the piece that will represent yourself. I wasn’t sure if it was correct, and I worried and stressed that I was picking up the wrong thing. However, I was pushed to get it anyways, and so I did. While I still wasn’t sure what exactly I was doing, I at least had enough to get going.

And so the building actually began.

For this project, I decided to take a multi-pronged approach to rebuilding myself. First was to create a sort of “trap” jar that would capture anything harmful that was coming after me. I was in a period of instability, and I wanted to make sure that I protected myself during this time. This involved taking a black jar and filling it with grounding materials and a magnet, and then placing an item inside of the jar that is “like me, but isn’t me”. I then placed it in a safe spot to attract all of the negativity away from me. This way, I wouldn’t have to worry about dodging punches while I healed.

I then made another container that allowed me to let go of some of the negative stuff that was happening around me and stressing me out. I used some of the basic ideas in the post that I got the idea from, but modified it a bit. I chose to use salt and rice as my base, as I consider both to be soothing. This would hopefully allow me to stay calm while I worked on letting go. I used hematite beads that I had laying around in a craft bin, and then I wrote things that I wanted to let go of on paper strips. This included things like the names of people whose negative words needed to leave my mind, bad anon-hate, negative things I tell myself, doubts I had, etc. I left this out in an open place so that I could shake it whenever I felt these things taking hold of me.


Through making both of these items, I felt like I had made a level base to get started on the real work at hand.

I took out my ib jar and added several more things to my scent and ma’at base. I added in pieces of paper that had phrases and sayings on them that I wanted to keep in mind as I moved forward. Things like “You exist beyond someone’s perception of you” or “I am able to connect with myself and those around me”. Things that I felt would help keep the negative self-talk down, and allow me to better exist in the world around me. I also added origami stars to my jar that had dreams and things I’d like to achieve written on them. And for a final touch, I added in a small (fake) fish to eat any negativity that happened to slip in.

I then created a shrine for the jar to rest upon. Everyone needs a place to rest and to recover, and that’s what the shrine was meant to embody. As such, I was careful in what I chose to place in the area, trying to keep in mind that everything here could have some sort of unforeseen effect on the work I was doing.

And with that, the first phase of recreating my heart had begun. But how far would it actually carry me?


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Devo Magix: Spoon Heka

Ever since I learned about Spoon Theory, I have had a thing for spoons. I think this is because it gave me an image to latch on to that represented so much of what I was going through, and in the process, I have collected quite a number of spoons.


Most of these spoons sit in a special cup on my personal shrine at home. Because there is no discreet or easy way to carry spoons with me, I am forced to leave my spoons at home in their cup and go on with my day without them. It has always been my hope that I could find spoons that I could hang on a necklace, or put on a key chain or spoons that would be small enough to carry on my person. It just so happens that I finally found some.

My partner found a set of teapot spoons online, and decided to get them for me on a whim. They suit me in a lot of ways- I love tea and the rhinestone on the handle is really up my alley. And the best part about these spoons is that they are small and have a loop in the handle, which can be strung up on a necklace.

My original intent was to get some thin satin cording, however my attempts at finding a color that suited my needs was proving difficult. I could find a ton of rainbow colors, as well as a bunch of really boring, washed out colors. But there wasn’t anything that really worked for me.

In my despair, I meandered around the Micheal’s and tried find something else that would work for my needs. I came across this really nice “yarn” that I felt I could use. And I was in luck because it was on sale, and there were two sets of colors that suited the gods I worked with- the red reminding me of Set, and the blue cording reminded me waaaay too much of the River and Big O. I felt like it was a win-win for me all around.


So I sat down with all of my supplies and decided what to do with the spoons. Due to the thickness of the cording, I could no longer string beads onto the necklace like I had originally hoped. However, I decided to play off of the netting that existed within this “yarn” and I worked with knots and numbers instead.


For the red cord, I chose to place two knots above the spoon. Two was a number of duality in ancient Egypt, and I have come to associate two with not only creation, but balance. Harkening back to balancing my two halves and making them whole, I can no longer look at the number two and not think about this. The same way that Ptah balances chaos and stability, I balance my work with Set and Osiris, and I balance my internal self with my external life. Balance is incredibly important to me, and so I felt that having two knots suited this need well.


The blue cording was a slightly different story, though. I decided to try and make a more complicated knot for this piece, which is perhaps a reflection on the complicated nature of mine and Osiris’ relationship. I opted to look online for something that would translate well into this thicker “yarn”, and I found this. And so I decided to give it a shot. After I created the more complicated knot, I added two smaller knots to either side of the main piece. The number 4 represented completeness and totality in ancient Egyptian symbolism, and I felt that I could use some completeness and stability in my self-care. This also mirrors Osiris himself, who is known to be the djed pillar- a beacon of stability and endurance.


Although the necklaces probably look more home made than some people would prefer, I liked the informality of each of these pieces. I also like that I could take the spoons off of the current cording, and switch them out for something else. So if I decided that I wanted to change the focus of the cord, I could either untie them, and redo them in a more suitable format. Or, I could destroy the current cording, and replace it with entirely new cording that suits my needs. Either way, there is a lot of flexibility in what I could do with these pieces, and I like that.


I am super happy that I can finally take a spoon with me to work or to family gatherings or what have you. It feels nice to be able to look down and see the cording, or to rub the spoon between my fingers when I’m stressed and know that I am not alone. And because the cording ties back to my gods, it’s another way to have them in my day to day life in a not-so-obvious way. I can’t wait to be able to take these spoons with me, and see how they influence my ability to cope with day to day life, as well as how many learning opportunities they will provide when someone asks me “Why are you wearing a spoon?”.

Have you ever performed any spoon heka? If so, how did you go about it?

Relevant Posts:


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Devo Magix: Impaling Magix

This technique is a byproduct of my work with Osiris last fall. As I was preparing for the Mysteries, Osiris showed me a way to help people heal through stabbing them. However, I can’t run around stabbing people here in the physical, so I created this method as an alternative for physical workings. The concept behind this practice is that you are essentially pinning down a person, problem or situation so that it can’t run away. You are forcing the issue and forcing those involved to handle the situation and fix it. Usually, fixing it will result in healing- at least in the Unseen. Results on the physical side can vary and I don’t recommend trying this technique unless you’re willing and ready to face potentially hard choices and have potentially unforeseen results (as can be the case with any magix). This method of magix is not recommended if you want a smooth and easy ride.


For this magix you will need a few supplies:

  • A container such as a bowl or dish
  • Paper
  • Writing instruments
  • Something you can pour into the dish such as sand, rice, flour or salt
  • A stabbing implement such as a needle, knife, fork, chopstick, etc.

 The Method:

As stated above, the basic idea here is that you’re going to be taking something that you want to change- a situation, a problem, whatever, and pinning it down so that it can be addressed. You can do this in a lot of different ways, but I’m going to be discussing the most basic method that I have employed over the past few months to start off with. As with any magix, feel free to experiment with your own ideas and try new things!

The first step (after you decide what you’re going to be fixing) is to get three pieces of paper that will fit inside of your dish. The dish I used in this example is a small circular dish, so I cut my pieces into circles. Essentially, the top and bottom sheets of paper will be marked with sigils that direct energy into the middle sheet of paper which is where you will write what you want to “pin down” to be changed.


In this situation, the middle sheet of paper was related to my workplace, so I stated that I wanted the workplace to improve. Both sheets of paper have directional arrows on them to push energy into the middle paper, into the petition. As you can see in the photo above, you will be stabbing these pages in this order. Make sure whatever paper you use, that your stabbing implement can actually pierce all of the sheets.

And this is where it gets tricky!

You’ll want to slowly pour your sand, rice, flour, salt, etc. into the dish that you’ll be using. I recommend pouring a fair amount in before you stick your impaled papers into the bowl, that way they will stand up properly. If you put the impaled papers in too quickly, they’ll fall over, or possibly slide off of the impaling implement. After some finagling, mine looked like this:


You can technically do this method without a dish, if you prefer (images at the bottom), but I like to use the dish as a means of stabilizing out what is going on. For this particular spell, I wanted something to keep things clean and (hopefully) calm. So I went with a lot of salt and a little bit of sand. In another version of this spell that I did, I went with rice and natron because I felt it would be calming and soothing for the situation. Use your judgement with what you think will work best.


I then placed some local plants onto the sand before I covered them up entirely. I did this in an effort to get local land spirits to help my cause, since it would be to their benefit if I were able to keep a steady and stable job.


And lastly, I tied some red thread through the eye of the needle as a means of doing some knot magix. I wanted the red to be eye catching as well as help with funneling more energy into my cause. I also added a piece of paper into the end of the needle that further explained my petition to any entities that wished to help. The whole notion is that everything is funneling and propelling energy down the needle and into the situation at the base of the needle. The whole point is to drive everything and everyone to work on the issue so that it can be resolved.

But does it work?

My answer is: I think so! I wanted to test this spell out before I made it live. I made this original container at the end of last year in hopes of making my job situation better. At first, I wasn’t sure that it was working. However, by the end of December, I could definitely see changes that were starting to roll through my office. As of writing this post at the beginning of April, we’ve had at least one major shift in the personnel in our office, and I still have the bowl sitting outside doing its job. So for all I know, more changes will come in the future.


As you can see, the paper that sat on top of the needle blew away in a winter storm and the needle has sorta fallen over. However, I do believe the petition was heard and that things did get moving because of this. However, it was not a smooth ride, and I did have a lot of times where I questioned what I should do and whether I had taken the right course of action. This seems to be one of the downsides to using this method- the results aren’t always what you expect them to be, and the results getting there are not always easy.

Another example of this type of magix is this piece here, which I made for a friend who was heavily injured:

This particular dish was made to be like an imiut fetish. Many imiut have a lily at the end, and I wanted to emphasize healing and growth, so I chose a lily (typically called a lotus) for growth and a Sa for protection during the transformation. Unfortunately, this one did not seem to work and my friend lost his battle against his injuries, may he travel safely to the West.

For my last example, I wanted to show how this may work without a needle or a dish. As stated above, you can use virtually anything that can stab or impale the sheets of paper. You also don’t necessarily need a dish to contain the papers- it just depends on what type of method and result you’re aiming for.

binding fork

For this spell I chose to use a fork. That is because the sentiment behind this working was “I hope you eat your words” and the fork seemed fitting for that. Like the other spells, the intent and petition is written on the paper which I pierced through. I then wrapped red and black cording around the rest of the fork as a means to bind the person to the words that they had spoken and to prevent them from saying anything else. So again, there are many applications and methods that you can use.

Impaling magix can be used to heal, to transform, or to curse. If you try any of the methods above, please let me know how they work out for you!


Other Devo Magix Posts:

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Posted by on April 22, 2014 in Devo Magix Series


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Devo Magix: Car Magix

I spend a lot of time in the car. And I mean a lot. In fact, most of us probably do- it seems you can’t live these days without a car. But despite the fact that many of us spend an hour (or more) per day in our vehicles, there is little to no tutorials out there on car magix. I’ve decided that I’d list a few of the things I do regularly to my car and hopefully you’ll be able to take some of these ideas and apply them to your own!

Protective Items and Amulets

One of the easiest things to do is to create a protective item for your car (or purchase one, such as a driving omamori). These items can be stashed in a variety of places in your car such as:

  • Glove box
  • Car remote/garage remote
  • Under your visor
  • Key ring
  • Console (usually btwn the seats)
  • Trunk/spare tire pit
  • Undercarriage of your car (be careful what you put down there!)
  • Underside of your hood
  • Rear view mirror
  • The pouches on the back of your front seats
  • Underneath the front seats

These items can be in just about any form. They can be sigils scrawled on paper, or on the backs of keychains, hub caps, and car jars. They can be enchanted pennies and other change that lives in your cup holder. You could charge your bottle of emergency water that you keep in the trunk to help keep you safe. You could easily take any stone or other talisman that calls to you, charge it up for protection, and place it in a location that works well for you. It doesn’t have to be fancy or flashy to get the job done. Remember that sometimes the best magix hides in plain sight.

Using the Exterior of Your Car

One of the methods I like to use for protecting my car is through drawing sigils on the exterior. I often will physically draw sigils in the dust on my car (or you could use some type of writing utensil that is suitable for the exterior.. or just draw with your finger). Once I’ve got the sigils plastered all over it, I will wash the dust away. The sigils remain in tact, though invisible to the naked eye, and the car has been cleansed- removing any bad stuff from it.

You can also anoint your car with oils or special waters to help cleanse, consecrate or protect it. You could even do the sigil work above (with your fingers, or with an oil/water), cleanse the car, and then anoint with oils or special water.

And for some slightly more crack induced ideas:

One of the more obscure things that I do is magix while driving. I don’t really know how it started or why I started doing it, but one day I noticed that I saw another me standing on the roof of the car. This part of me would do random things while I would drive, and eventually it began to be something I’d slightly do consciously. Many times, this version of me will do magix stuff while I am driving if the need arises.

If I suddenly see a cop, or I am worrying about getting pulled over, ‘magix me’ will often throw a ‘sheet’ over my car. In this case, it’s black, to match the car and pavement color. This sheet is essentially an invisibility cloak. As the sheet settles over my vehicle, I visualize my car becoming invisible- blending into the road and traffic.

Another thing I have done is while driving on slippery roads, I will visualize yellow/gold energy (I don’t know why) around each of my tires that can lead up to my hands/arms. This energy is geared to help grip the road. To keep my car steady, and to help me brake faster if needed.

I have no clue if anyone else does anything like this, but I’m placing them here for consideration all the same.

More mundane solutions:

I feel like a post on car magix and car protections wouldn’t be complete without a section on mundane stuff. For those of us who spend a lot of time on the road, I think its important that you consider having some essentials in your car as well. These items could be magixed in their own right, if you wanted:

  • Things that keep your car running well such as jumper cables and tire gauges
  • Things that keep you safe when your car breaks down such as blankets, emergency water and food and reflectors
  • Things that help keep you alive in emergency situations such as fire starters, window breaking tools and multi-tool knives

As with all things regarding cars, I advise you to keep your car in good working order, as magix will only take you so far. Please be sure to drive safely and responsibly.



Posted by on April 13, 2014 in Devo Magix Series


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Devo Magix: A Sa for Protection

The Sa was a commonly used amulet in the Middle Kingdom of ancient Egypt and literally represented “protection”. We’re not entirely sure what the Sa was exactly- some people think it was a life-preserver of sorts, others think that it was a rolled up herdsman’s shelter (Wilkinson, Reading Egyptian Art, 197). Regardless of what the Sa actually was, it became a symbol used largely for protective purposes- and that protection could range from childbirth to traveling and was often held by deities such as Tawaret and Bes.

For this project, we’re going to create a Sa out of fabric that you can use to protect yourself, your family, or whatever you want. The supplies you’ll need are:

  • Scissors
  • Fabric (I chose red)
  • Cordage or yarn in whatever color you’d like
  • Markers (I chose black)

Sa supplies

You will want to start by cutting your fabric into a rectangular shape. Make sure that you have enough space to write your petition onto the fabric and keep in mind how tall you’ll want your Sa to be- because you’ll want to cut the fabric to about double that length.

Once the fabric is cut, decide what you’d like protection over or from. The fabric will serve as a vehicle of protection- so you’ll want to imbue it with your needs. You could anoint your fabric with oils, cleanse it with salt or natron, leave it outside to soak up solar or lunar juju, or you could leave it in your shrine case for a predetermined amount of time- whatever will help your situation and needs.


For my particular situation, I chose to write a series of sigils onto the fabric. Like with any amuletic practices, I mentally focused while writing and made sure to keep my mind on the task at hand.

The cordage is the next step. You can choose whatever colors or numbers you prefer. I would recommend not making your braids too thick, or it could cause problems with rolling up the Sa later. If braiding isn’t your thing, you could easily take a few cords and tie a series of knots into the threads with numbers that correspond to your needs.

In this case, I chose colors and numbers that corresponded to various members of my family. I braided up the the cords and knotted each end. Like with the fabric, you could choose to anoint each cord with oil or allow them to soak up energies as you see fit. Feel free to get creative with preparing the materials that you’ll be using to make your Sa.

Then, you will want to lay your braid/cordage onto the edge of the fabric like so:


And you will slowly wrap the braid up into the fabric like this:



It can take a few tries to get the fabric tightly wound around the braid inside. Once the fabric is fully wrapped around the braid, I held it like this:


You will take another section of cordage and tightly wrap it around the joint of the Sa. You can use whatever colors you like, tie as many knots as you like, or create bows if that works best for you. In the end, I ended up with this:


You could also wrap the cordage around the body of the Sa, if you wanted. Many traditional representations do have multiple knots tied around the loop of the amulet. Alternatively, you could tie another loop at the top of your Sa so that you could wear it on a necklace.

Place the Sa wherever you will feel its benefits. If it’s for protection while traveling- place it in the car. If its for your child, perhaps placing it in their pocket or backpack would work well. If its for your house, you could place it on the hearth, or a central location where the family gathers and mingles.

If anyone out there makes their own Sa, I’d love to hear how it turns out!

Other examples of this in action:

Other Devo Magix Posts:



Posted by on January 4, 2014 in Devo Magix Series, Kemeticism


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Devo Magix: Sex Magix

Please note: This post does discuss sex and masturbation. For the purposes of this article, I will be using the word sex for both “unisex” (aka masturbation) and sex with one or multiple partners. So depending on whichever you intend to do- swap in whichever word works best for you. As with all sexual acts- please use your own discretion and keep safety in mind. Do not engage in sexual acts without your partner’s consent.

Summon Oragasm

I love using sexy sexy fun time in my magix because sex brings forth a lot of energy and juju with (for me) minimal effort and fuss. However, it seems that a lot of people don’t know about this awesome form of magix, and most of the posts and articles I read on sex magix just… don’t sit well with me. So hopefully this post will help get your mind going with some ideas on how you could utilize sex magix in your own practice.

Sex magix can be done solo (aka masturbation), with one or more physical partners, or with one or more astral/non-physical partners. Don’t let your current situation hold you back from experimenting. Sex magix works well solo and with friends.

The whole premise of the use of sex magix is very simple. Almost every form of sex magix will follow along the following lines of process:

  • Decide what it is you want to do (consecrate an item, form wards, raise energy to be put into an object or person, etc).
  • Determine if this will be done solo or with partner/s- if with other people, ask for consent and make sure that they are okay with it.
  • Determine where and how you’d like to go about it. Pick your location, set it up in a way that is pleasing for you and your partner/s.
  • Go to town, focusing on the task at hand.
  • At the very end as everyone is feeling their release, drive and focus the energy were it needs to do.
  • Bask in the afterglow.

Very very simple, yet very flexible and effective for many many things.

Because there are so many layers to sex magix, I’m going to break this down into a few categories:

  • Sex and physical vs. non-physical partners (and combining both)
  • Using toys
  • Using what you’ve got: fluids and body parts
  • Applying the concepts with a few examples

Please be aware that this guide is only a drop in the bucket for possibilities. If anything, this guide is here to serve as a primer to get your wheels turning. There are countless other ways that sex magix can be applied.

Sex and Partners

Partners (or lack thereof) is very important when doing sex magix. You need to make sure that the people you are sexing it up with are okay with using any sort of magix while getting it on, and you want to ensure that you’re comfortable with whomever you’re working with.

Sex with physical partners is pretty straight forward- I don’t think I have to explain much there (other than an emphasis on consent). But working with non-physical partners such as deities or astral entities can be a little tricky. Sex with non-physical partners can vary from person to person. Some people experience their partners as though they are here in the physical realms- when sex gets going on the non-physical side, they find that their physical body reacts exactly as it would to a physical partner being there. However, this isn’t the case for everyone- and that’s okay.

When you first start out with any sort of sexual venture with non-physical partners, remember that the same rules apply as physical relationships. Make sure that they aren’t moving too quickly for you and that you’re okay with whatever is going on. For myself personally, sex with a non-physical partner is enhanced by physical stimulation out here. So it’s not entirely uncommon for me to have a combination of physical and non-physical partners, or to be masturbating on one end, and having sex with a partner of mine (or multiple partners) on the other end. The more you experiment with this, the easier it’ll get to figure out what works best for you.

What delineates who I use as a partner/s for my sex magix depends partially on the intent of the work. If I’m trying to raise energy for a person in particular- I will usually try to get it on with them directly (where applicable) because it is essentially for them. If my workings have nothing to do with my non-physical partners, but are entirely centered around my physical life, I will opt to ask my physical partner for assistance over my non-physical partners. Other things to consider will be connection- if you need something with a lot of OOMPH, you’ll likely want to pick partners that you have particularly strong experiences and connection with, etc.

Using Toys

Toys, garments and other accessories can be helpful with sex magix. They can help to make your magix more potent or they can help to get you into the right mindset when getting started. When choosing toys, pick things that you or your partner/s will like and be sure to be aware of your comfort levels when choosing items.


Sigil in a safe location on a bullet vibrator

You can easily dedicate a certain toy or item to sex magix use in a similar fashion to how you might create an amulet or talisman. You can easily write sigils or protective/charged symbols on your items and/or anoint them with special oils of your choosing. However, be aware that many oils and markers don’t work well with your sensitive bits- so if you’re going to mark up a vibrator (for instance) make sure to only write on areas that will be safe to touch and won’t degrade the materials of the toy.

If you’re concerned about your item being safe for your skin, perhaps consider charging up a bottle of your favorite lube and using that to anoint your toy before use. That way, you’re only putting skin safe items into your more sensitive places.


An example of sigils on lubes.

You can also choose to keep your sex magix items in a protective box or bag– this way, your items will soak up all of your magix juju just be being stored away in their special place.

This concept doesn’t have to stop with toys or garments either. You could very easily charge up the sheets you do your sex magix on, or even the bed posts of your bed. There are lots of possibilities here.

Using What You’ve Got: Fluids and Body Parts

While I know this might not be for everyone, one of my favorite uses of sex magix is sealing and charging items. For me, this is primarily done through the use of fluids that come from the act of sex. Don’t discount the possible uses of fluids in your practice- you can easily use them to charge items that are tied to you and the partner/s that are performing the sexual acts. Fluids can be used to mark items as yours or can be used to consecrate an item that might symbolize the relationship btwn you and your deity (if that is the type of relationship that you have). I have also found that sexual fluids are good for warding and protection items as well. Just be aware of whether other people could be touching an item that you’ve literally marked up with body fluids- that might not be welcome in some households.

Additionally, you can easily utilize sigils and body art as a means to charge up your sex magix. Drawing a sigil on your hand before masturbating might give your sex magix an extra desired push. You can also cleanse your hands, or dip them into a special charged mixture or lotion in order to give your sex magix more direction.

You can also use your hands to charge up an item by holding onto the item during the act. If your hands are not available, you could wear the item on your person (such as a necklace) or leave it close to where you’re having sex (such as a night stand or under your pillow, etc) to allow it to soak up the juju that is created from the act.

Some Examples and Applications of Sex Magix:

From here I will discuss some basic applications of sex magix, or go through some of the basic motions of using sex magix. As stated above, this is in no way a complete list- just a few ideas to get you started.

Using Sex as an Offering

Sexual energies can easily be offered up to a deity (or other non-physical entity) and some of you may already have this occurring with or without your knowledge. You’ll likely know if this is occurring by whether you’ve got a voyeur type deity who loves to hang around during your sexy fun times and watches (or participates). If you wanted to make this happen on purpose- you could very easily let your deity know before you get started and welcome them into the space and allow them to soak up the energies that are raised during the process. Additionally, you could set aside a certain item that you will use only when you want to invite the deity or entity into your space for sexy fun times.

So, using a Kemetic ritual as an example, you might call the deity into the space, light the incense or candles (if you do so) and give them their offerings. In between leaving out offerings and reverting them- you could “perform” your sexual part of the rite, and after you’re done, revert any offerings you’ve given back, and close up your ritual space. If you were going to us a more Wiccan ritual structure, you might want to call your quarters and set up your circle. Ask in or summon your entities of choice, set out offerings, perform your sex, and then thank your deities and release the space. Obviously, you don’t have to be this formal if you don’t wish to be. I’ve often found that, like children, gods know when sex is occurring and they’ll just show up on their own and soak up the energy as it is being raised.

Conversely, if you don’t want non-physical entities watching while you get it on- warding yourself or your room up before you get started should help with this problem.

I’m sure some will ask why a god might want sexual energy dedicated to them, and I can’t entirely explain why they would. I only know that some gods seem to enjoy it as an offering and there seems to be an awful lot of gods who love to watch. So regardless of the reasons behind it- that would be the method I would use to go about making it happen.

Using Sex to Ward up a Location

I love using sex to charge up wards. There is very little else that can really mark a spot as ‘yours’ as much as sexual juju. And there is usually so much energy that gets raised during the process of sex- it makes for a great mixture. However, depending on your situation, I would opt to use this method for warding up a room, as opposed to an entire house. When using sex to ward, I’d urge you to be careful as to which rooms you’re spilling such energy into- be sure that the people who will be using the rooms you’re warding in this method are going to be okay with those types of energies floating around them (if they are sensitive to such things).

I’ve found that sexual activity, especially when you set out with the intent to ward, tends to fill a room and the process of warding sort of happens automatically. As the release occurs, the energy fills the room, and if you’re even remotely thinking about it protecting you- its going to. However, if you wish to make this more potent, I recommend trying to direct the energy during and/or afterwards- either through movement, intent, or possibly by touching the structure of the room itself (walls, floor) during the peak of your activities will get the job done.

Warding is highly personal, so I recommend experimenting with things to see what works best for you.

Using Sex to Heal

This is a technique that I use mostly on the astral, though I imagine if you’re good with manipulating energy here in the physical, or possibly had reiki training- maybe you could make it work here, too. Astrally, sometimes we get banged up, or things get hurt, and you can utilize sex magix to heal certain things. The most common thing I use sex magix for (in regards to healing) is for repairing a bond between two people, though it could be used for other ailments as well (such as removing energetic blockages or healing a specific injury).

The purpose of this method is to drive energy into a wound or a spot that needs healing. Considering that wounded folks can’t usually move around a lot- this might not be the most practical application for certain types of healing. However, the healing of bonds and connections between people don’t usually have such physical limitations.

In order for sex to heal, you’ve got to be comfortable with your partner- that is probably the most important thing I can emphasize for this. Especially if you’re wanting to heal bonds or threads. In order for the energy to do what it needs to do, you have to be okay enough with your partner to not keep a lot of walls up- otherwise, the energy isn’t going to get to where it needs to be.

The basic layout for healing through sex is pretty simple- I utilize the application of hands to a location in order to pass the energy that is being raised into the person. If you’re healing bonds or threads, this normally involves both parties touching one another around the chest area (where a lot of bonds, threads and cores are held). If you’re healing a particular wound, I would advise the hands to be placed on or around the wound so that it can be channeled into the injury. The hands don’t necessarily need to be touching the whole time- but I’ve found that, like with most of these methods, the energy is most potent around and leading up to the orgasm- so I’d recommend being in contact during those times the most and as you go at it, to focus on pushing the energy into the person or wound.

As stated above, you could make this more potent with sigils on your hands, or with unlocking certain energy points within your body (if you know how to).

Where from here?

Hopefully this guide helps you to get some ideas flowing for how you can utilize sex magix in your practice. As always, if you’ve got any questions or need any assistance, feel free to ask in the comments below. Don’t be afraid to try new things and experiment to find out what works best for you!

To see more topics and discussion about sex magix, take a look at the “sex magick” tag on my Tumblr.


Posted by on October 2, 2013 in Devo Magix Series


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Devo Magix: Container Magix

I will admit, I love boxes. It’s a common saying on Tumblr that witches love jars, but I honestly love boxes. They are awesome. One of the forms of magix I have really perfected over the years is box magix. However, box magix, satchet/bag magix and jar/bottle magix are all very similar, really. And for this post, I have combined them into something I call Container Magix.

How does Container Magix work?

Container magix is a lot like making an amulet. You use a variety of items that are associated with your need, and you combine them together in a certain way in your container to create the change you desire. Like always, you will start with what you want to get done. Most of the times, I create a container piece with someone in mind. I often will consider what that person likes or doesn’t like when I choose my container- which is always where I start.


Container Ideas:

  • Boxes (fancy, paper, wooden, glass, large, small, etc)
  • Jars (clear, opaque, colored, patterned, etc)
  • Shaped containers (jewelry boxes, pyramids, animal shapes, you name it)

When picking a container, you will want to try and pick something that works well for your particular cause. If you want something that no one else can see or penetrate, you will want a box that is opaque in color. If you’re creating some type of box for the fae (as an example) you will likely want a box that is not made of metal. If you need something that is very secure, you might want a box that has a lock. Clear jars for transparency of a situation. Air tight containers for trapping someone or something – etc.

In everything that you do, try to make sure that everything is an aspect of what you’re trying to achieve or create. This will help to make the magix stronger.

Filling Your Container:

This is the fun part! You can fill a container with just about anything, though as stated above, I prefer to tailor my contents to the person I’m working for.

For example- if I make a box for someone who hates mint, and I’m trying to help them become happier with the aid of magix- I’m not going to put mint in their container- even if every correspondence chart on the planet says mint = happy. Conversely, if I’ve got a friend who loves spicy things- I might add spicy things in their job jar- to help them be in their element, even though spicy things are generally reserved for curse jars.

I also make sure that when I create a container I take all of my senses into account. If I want to create a jar for happy things- I want to make sure that the colors and scent are appealing to whoever it is being made for. If I want to curse or piss someone off- I want the scent to be bitter or painful on the nose, and the colors will likely clash (if the appearance is even taken into consideration. aka make it ugly).

Don’t be limited in what you can put in a container. Here are some basic ideas:

  • Rocks and stones
  • Paper sigils and writings
  • Pictures of items, people, scenes, etc.
  • Plants, leaves, sticks, shells, dirt
  • beads, glitter, crafty items
  • liquids such as beer, water, lemon juice, tabasco
  • tea mixes, herbs, spices, salt, pepper
  • fabrics, lace, ribbons
  • trinkets, coins, pendants, jewelry
  • ground up incense
  • pretty much anything you can fit inside the container

With that in mind, here are some generalized ideas to get you going:

Curses/Execration Jars/Containers:

  • Spicy things
  • Items the subject is allergic to
  • Nails, needles, pointy things
  • Thorns
  • Blacks, reds
  • Broken glass
  • Citrus or bitter/corrosive liquids
  • Usually sealed with wax or placed in an airtight container.

Happiness Jars/Containers:

  • Things the recipient likes
  • Soft items
  • Items that are mellow and pleasant smelling (to the recipient!)
  • A container that is warm and inviting
  • Images that evoke happiness

Money/Work Jars/Containers:

  • Coins or currency
  • Semi precious stones
  • Expensive (or expensive looking) items
  • Greens and reds
  • Water
  • Mirrors

Okay, so now I’ve got my container and my items. What now?

That entirely depends on what you want to do. You can easily cleanse the container and the items, and possibly anoint them with oils, perfumes or special waters/liquids. You can charge up any of the items that go inside (see the amulets magix post for examples) along with charging the container itself.

How you place the items inside is entirely your call. Sometimes I throw everything in and give it a good shake. Other times I am very specific in my placement of the items. Use your judgement during the creation and filling process 🙂

To better illustrate how this works, let me show you some examples of container magix that I’ve done.

Nakama/To Feel Loved Container:

Nakama is a Japanese word that more or less means friends or allies. It has connotations that generally relate to people who are not related being as close as family (at least, in the forms that I’ve seen it used). I created this for someone as a means to create stability of mind and calmness/soundness of heart during a troubled time. I chose the pyramid because the recipient really really liked it. The pyramid contained images of nakama, mint tea, natron, sand, a teakwood box, slabs of stone and tumbled gems to represent the various nakama that were called upon for the task at hand.

The pyramid was surrounded by deities for protection, an owl which is close to the person I created it for, stones for various protective elements and a spire to collect and draw positive energy into the situation.

Better Health and Chill Out Containers:

This was two fold- the box is for one person, and the pouch for another.

The box was created for someone who needed some assistance with their health. I chose a tea box because the recipient loves tea. Inside of the box is a short letter I wrote, reminding them of their value and that others loved them. I filled the box with various tea blends that make the person calm and happy, stones that represent happiness, stability and close friends, and some various feathers. I also included a small metal pig- to symbolize their ability to gain weight and health.

The pouch was created for someone who desperately needed to calm down during a difficult time. The pouch contains a paper with their name on it and multiple grounding stones.

Both are surrounded by deities and protective items to help solidify and stabilize the situations that both were experiencing.

Homesick Containers:

These containers were made for someone who is currently overseas and doesn’t seem to be doing so well in the location that they’re at. They’re currently residing in a desert, and its sorta sucking the life out of them. I know exactly how this feels, so I made a container to be sent to the person, and another container which will stay here with me. I did it this way so that I could keep the container on this end charged and stable- which will travel through magix to the other container- and hopefully help the person. The hope was that one would help keep the other working properly.

Each container is made to be more or less the same. The tin was sent off to the recipient. I chose something that was small and portable, and the fact that it was once used for calming lozenges was a metaphorical bonus for this purpose. The container that is glass will stay with me. I chose something transparent so that we would be able to ensure that the recipient stayed safe and kept us all up to date on their condition while away.

The base is filled with two sigils and two pictures of the couple that this was effecting. I filled the bulk of each container with a mixture of calming herbs, petals and teas. I also added stones that represented both members of the situation and stones that evoke a sense of calmness and tranquility, as well as stones that were associated with water and forests.

Finally, I added some desert plant material to the containers to help reinforce durability while in the desert. The plants in the desert have spent thousands of years learning how to survive here. My hope was that they would be able to transfer there ability to the recipient of the container.

As you can see- you can place a wide variety of items in your containers. Each of the above containers was made specifically for the person and situation at hand with each person’s likes and dislikes in mind.

I hope that this guide helps you in creating your own magixed containers! If you have any questions, or make any containers based off of this guide, I’d love to see them!

Other posts in the ‘Magix’ Series:


Posted by on June 9, 2013 in Devo Magix Series


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Devo Magix: Energy Manipulation & Movement

One of the biggest tools you can have for magix is knowing how to sense and move energy around. Even if you can’t visualize very well, or you don’t have a lot of tools or supplies- you can accomplish just about anything with the ability to sense energy and move it however you want it to go.

So how does one sense or move energy?

In order to sense or manipulate energy, we need to decide what exactly is meant by the term energy. Google isn’t much assistance as it only defines energy as:

  1. The strength and vitality required for sustained physical or mental activity.
  2. A feeling of possessing such strength and vitality.

And Tess Dawson makes a great point in her post here that energy is used to mean just about anything and everything.

So in order to clarify what it is I’m referring to, I’m going to pull something that I’ve worked with since I was a kid, and that is the concept of qi (often called “chi” in English). Qi isn’t very easily translated in English, but it more or less relates to life force. In Shinto, it’s often said that the sun’s rays give us solar qi. This qi surrounds our planet and helps things to grow and flourish (or if you get too much, things can die). Qi is everywhere around you. It’s always flowing through you, your house, your body- everywhere. And when I’m discussing “energy” or “juju” I am discussing this concept- this qi that flows through your body and the world around you.

It’s the unseen web that connects us all and sustains us.

So now that I’ve attempted to sort out what I mean by “energy”, let’s discuss how to start working with it.

The first step is to realize that it’s all around you- always. All. The. Time. If you’ve ever been in a place that makes you feel really calm and happy- that means that the energy flow and balance there is really nice. If you’ve ever realized that one room in your house makes you feel like crap- that means that the energy flow or qi in that room is not balanced very well, or is stagnant (and in Feng Shui, if the qi is going south, it’s usually called Sha). When you’re trying to harness your energy, you have to realize that it’s not just in your body. It floats around your body (usually called an aura in English) and surrounds you and your environment. So when you’re trying to soak up energy and move it around, you’ve got to get out of the idea that energy is purely inside of you- because it’s not. It’s like the new Dolby Digital intro– “all around you”.

In realizing that this energy flow is all around you, I think it helps to realize that energy can come in many forms. When you listen to the radio- the music is a form of energy. When you move, you release energy as heat. Water contains its own form of energy.

Energy is in everything. There isn’t a single thing that you can lay your eyes on that doesn’t contain its own form of energetic signature.

A simple exercise for learning to feel energy:

  1. Find a room (I recommend starting with a small room) where you won’t be disturbed for a while.
  2. Go to the center of this room and lie down or sit down. Calm yourself down by breathing slowly.
  3. Once you’re calm (try to keep your mind fairly passive during this), look around the room. Notice where your eyes drift and wander. Do they stick places? Do some places feel nice and bright and happy, while other corners feel really dingy and stagnant? That is energy as it moves and sticks in locations.
  4. You can also try this with closing your eyes- note where areas might feel warm or cold, where certain areas may call out to you. This is energy movement and flow. It’s drawing your attention to areas that are active or stagnant.
  5. You can also do this on yourself (I recommend lying down for this). Focus on your body and your body alone- and notice where energy sticks or pulls. Notice any tension, hot spots, tingling- any of that. That is the energy flowing through your body and sticking in areas- much like it does a room.
  6. Once you are more comfortable with sensing the energy, you can try moving things around in the room and seeing how the energy shifts and changes, or try another room, or someplace outdoors and see how things feel there.

The more you practice, the easier it’ll be to tell where the qi is flowing around you. Knowing how things flow and move and being able to feel them is key to being able to effectively move energy.

Starting to move the energy.

I started working with energy as a kid. My grandmother was into all sorts of Asian based stuff- including things like tai chi, so working with energy was something I was raised around. Something that I was taught when I was younger was to breath into your gut. As you breathe, imagine a ball rotating in your stomach. When you breathe in, it will rotate one way, as you exhale, it will rotate the other way. This is building the energy in your stomach.

Once your breathing is under control, take your hands and rub them together slowly. They will slowly start to tingle, which (as described to me) is the buildup of energy on your hands. Once the tingle is going strong, you move your hands back and forth slowly and try to feel the energy btwn them. Usually, as your hands get closer, you’ll feel a sort of resistance between them- which is the energy that exists between them. The goal is to form a “ball” of energy between your hands. To explain it a bit better, here is a video representation:

Once you’ve hit this state, you’re officially messing with your own energy.

You can also take the example I listed above and lie on the ground with your limbs apart, and try to focus your energy on one foot and move it to another foot, or drag it up your torso to your hands, etc.

Getting someone else in on the action.

The ultimate “point” to focusing your energy into a ball and into your hands (from the example above) is that you can transfer that energy into someone else or something else. Of course, in order to practice this, you’ll need a willing partner in order to give this a shot.

You can start with your hands on or off of the person, but ultimately, you will place your hands on the person and more or less focus your energy into your hands and then see the energy flowing from your hands into the person. My family used to do this in attempts to help with healing or calming people down. I used to do this with a friend who was getting horrible headaches from her attempts to stop smoking, so I’d attempt to lessen those headaches via touch.

For those who are into reiki based healing, I imagine that the transfer of energy from one person to another is very similar for healing purposes.

If your friend is interested in trying, it’s possible to sit down and place your hands on one another and circulate energy between one another. Now, if you’re going to do this, I urge you to be careful about what energy you’re passing out and taking in with other people. You will not want to give out a bunch of energy if you’re sick and you won’t want to pass out negative energy to people either (nor take it into yourself). Qi is tied to health and happiness, so please be conscious about what types of energy you are swapping with others.

Think of it like this:

Have you ever walked into a room where a fight has just occurred? The air feels heavy and nasty, and if it was bad enough, you might leave the room wanting to go shower or feeling like crap- that’s because there was icky qi hanging in the air that is now stuck on you.

Energy is everywhere. It’s in everything. And you can pick up bad energy- so always keep this in mind.

So I’m getting to where I can move some energy around. What now?

Once you can start to feel and move energy in your direct vicinity, I urge you to branch out and try new things. Try listening to music and see how your personal energy fluxes and changes. Try dancing or yoga to see how your energy flows and moves. Slowly try to move and sense bigger and bigger amounts of energy.

Then, you can start to apply that to warding or other magix. Ward up a room or a house. Try to cram a bunch of your juju into an item, etc. Experiment and test new things to see just what you are capable of.

Keeping energy clean.

Because our energy rubs elbows with other people daily, and because surrounding areas can affect the energy in our houses and living spaces- it’s important to try and keep the energy in those locations clean and happy.

For keeping your house or office happy and clean, I recommend taking a look at the Cleansing post that I created a while back.

For keeping your personal energy clean, I recommend some of the following:

  • Move around! Try something like yoga, taking a walk or dancing to shake your energy up and get rid of any bad stuff still hanging around you.
  • Take a shower or bath. I’ve found water to be very purifying (you could marry these two ideas and try something like Misogi Shuho).
  • Get the dirt off your shoulders. You can cleanse via the use of spraying a cleansing solution (such as natron and water, Florida water or Rose water) around you, or by using something like a charged broom to cleanse your energy via sweeping (in Shinto we have the haraigushi for this).
  • Get your mind on something else entirely. Sometimes the garbage we carry in our minds pollutes the energy around us. Sometimes all we need to do is get our minds off of the issues at hand in order for our energy to feel better.

Even if you’re not doing much with energy manipulation, I suggest up-keeping the cleanliness of your personal energy and the energy of your surroundings because it tends to lead to healthier, happier people.

When it comes to energy work, I highly recommend experimenting and trying new things because there are a million ways to do this sort of thing. I also feel that there are lots of untapped ideas and potential with energy manipulation and the only way we’ll figure some of those methods out is to test them out!

As always, if you’ve got questions or feedback, post them in the comments below.

Relevant Posts:


Posted by on June 1, 2013 in Devo Magix Series


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Devo Magix: Recent Shenans

I’ve written guides on how to do various magix, but I wanted to show some of the various magix bits I’ve been up to lately. Hopefully some of these can be used to give you ideas on some of the things that you could do for your own magix! Spoon Magix I talk a lot about spoons. How to keep them, how to spend them better, how to work with the amount that you have. And recently, I decided that I would magix some spoons for some of my friends in an attempt to help them keep their spoons or gain more spoons. Enter spoon magix! I searched around at local thrift stores for spoons. I didn’t want to buy a whole silverware kit, only to utilize the spoons, and our local Savers has bags of various silverware bits and pieces. And it just so happens that sometimes, they have bags that are nothing but spoons. I hunted around for a nicer quality of silverware- and managed to find some that are actually silver plated. I took them home and washed them the old fashioned way with soap and water. I polished them to the best of my ability with a silver cleaning cloth. I then put some of my special oils on them and put then into a grid setup to soak up juju.


This grid is multiple layers. There are two levels of magixed doilies and in btwn them is a sigil that I created to help bring more go juice to the grid.


I let the spoons sit there for about a week. In the meantime, I created pouches for each spoon to go into. The pouch is a two fold method going on- it can be used for other magix, or it can be used to help recharge the spoon. Each pouch was hand made (via sewing machine) with fabrics that I hoped would suit each person. In btwn each layer of fabric is another sigil hand tailored for the person or persons each spoon would be going to. I then finished up each spoon by wrapping it with various ribbon. Another form of knot magix at work.


Windchime Magix Wind chime magix is actually something that my non-pagan grandmother taught me about. She told me once that when she was a child in Japan, the locals would hang various things on their furin chimes- which would help to spread word of whatever it was they desired by whomever could hear the chime. Now, I have no clue if this is true- but the idea of using wind chimes as a means of magix is something I’ve grown up with. There was a time when my grandmother was trying to make it selling particular products to people (think Avon or Tupperware)- and in order to get more people interested, she put a piece of paper with the logo of the item she was trying to sell on her wind chime weight. To this day she will also write the names of pets that have passed onto some of the weights of her wind chimes. That way, she will see the names as she walks by every day, and she also feels that their spirit and remembrance of them is kept alive whenever the chime rings. So there is a lot of possibility for magix here. Here is how I went about it recently. I found a furin chime at a local thrift store, but the paper weight at the bottom was missing and the cordage that you hang the wind chime by was completely filled with dry rot from the AZ sun. No worries! I can combine sigil magix and knot/thread magix and create something that is even better! Here are the supplies needed:

string, paper, furin and tape

string, paper, furin and tape

I selected a piece of paper that I wanted to use for the weight. I folded it into a narrower shape, which is typical for furin, and on the inside I wrote my sigil. You could just as easily write in plain English whatever it is you’d like to attract to you, or you could draw a picture- any and all work. I used to write out different stuff a couple times a year and switch out what was hanging as the weight.

The inside of the weight.

The inside of the weight.

Because the weight is folded and taped together, you could even stick herbs or coins or whatever else you wanted inside. But I fold up the paper, tape it closed and cut a small hole for the string to go through. I then take my string (I use multiple strands because AZ is violent towards threads and dry rot is a pain) and braid it up. While braiding, I focus on what I want to achieve. I then attach it to the clapper inside of the bell. And because this chime’s hanging string was all messed up, I do a braid for that as well.

Finished Wind chime

Finished Wind chime

Finished Wind Chime


And once its all said and done, I hang it outside so that it can ring and attract what I want to me!

Red Rose Magix The Red Rose Curse is something that I swiped from someone else, actually. I saw it posted on Tumblr and I decided I had to give it a go. I already had someone in mind, so I figured it’d be an awesome experiment. To read the original Red Rose Curse, go here. I recommend you take a look at it before continuing on, otherwise this might not make any sense. So the main ingredients are as follows:

Rose Curse Ingredients

a white rose, jar and red paint

The original curse calls for a white rose, a jar and red paint. However, you could easily spice this jar up with other things- herbs or nails or what have you- to make the jar more inhospitable to the person its aimed towards. For my own jar, I ended up painting the tip of the stem black, which has had an effect on the curse’s progression. In the original curse, its said that you could remove the curse by breaking the jar. So initially, I had considered putting things in the jar that I might remove or reuse later- because I thought the rose would dry up and die. Oh no. Do not put anything in this jar that you want to use later. Just trust me on this. You likely won’t want to re-open this jar later, either. It gets nasty. The rose painted and in its jar- the very first night.

Red Rose Curse Painted

I was sure to cover every surface possible of the rose, even pushing my paintbrush down into the petals. It took a bit, and the rose got a little beat up for it- but I think it was worth it.

And here is a few days later:

And another week later:

Three weeks in:

Current (as of publishing this post) condition:

As you can see, it gets very very nasty looking, and the black sharpie on the stem has created a nice black liquid for the rose to fester in. So the idea of reusing something from this jar is probably not advised.

I suppose the main question you want answered is: “Is this working?” It appears to be. I did a version of this curse on the astral as well, as it is against an astral entity that I’ve placed it against, and it has seemed to make him even more batshit than he was before.

So in short? Yes.

I will continue to post updates about this curse on my Tumblr, which you can see here.


Posted by on May 8, 2013 in Devo Magix Series


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